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Venice Film Review: ‘Birdman or (The Unexpected Virtue of Ignorance)’
A blisteringly hot-blooded, defiantly anti-formulaic look at a has-been movie star’s attempts to resuscitate his career by mounting a vanity project on Broadway.
Venice Film Review: ‘One on One’
“Who am I?” is the question posed in the first closing credit of “One on One,” as if the preceding two hours of screeching melodrama and stomach-churning, rusty nail-assisted violence could have been the work of anyone but Kim Ki-duk.
Venice Film Review: ‘One on One’
“Who am I?” is the question posed in the first closing credit of “One on One,” as if the preceding two hours of screeching melodrama and stomach-churning, rusty nail-assisted violence could have been the work of anyone but Kim Ki-duk.
Film Review: ‘Gyeongju’
In South Korea, the city of Gyeongju is known for its hundreds of burial mounds, making this town, which has its head in the past, a fitting backdrop for director Zhang Lu’s exquisitely observed personal drama.
Film Review: ‘Gyeongju’
In South Korea, the city of Gyeongju is known for its hundreds of burial mounds, making this town, which has its head in the past, a fitting backdrop for director Zhang Lu’s exquisitely observed personal drama.
Film Review: ‘Self Made’
Through a mix-up at a border checkpoint, an Israeli performance artist trades places with a Palestinian suicide bomber in what sounds like a fairly conventional mistaken-identity comedy. But Shira Geffen’s “Self Made” manages to surprise at every turn.
Film Review: ‘Self Made’
Through a mix-up at a border checkpoint, an Israeli performance artist trades places with a Palestinian suicide bomber in what sounds like a fairly conventional mistaken-identity comedy. But Shira Geffen’s “Self Made” manages to surprise at every turn.
Korean Hit-Makers to Host Seminar in Busan Market
Festival also unveils screening series on Georgian women film-makers
Korean Hit-Makers to Host Seminar in Busan Market
Festival also unveils screening series on Georgian women film-makers
Kino: Großformatige Kinokunst: Gemalte Filmplakate
Film : Großformatige Kinokunst: Gemalte Filmplakate

Bremen (dpa) - Helen Mirren blickt noch etwas farblos drein. Katrin Wulfers verteilt mit einem dicken Pinsel großzügig orangene Farbe auf der Leinwand. Anschließend verwischt sie die Übergänge mit einem nassen Lappen.

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